A One-Man-Band's DIY Production Journal.

Afterthoughts

The album’s finished, been listened to, received feedback, released on iTunes, now Amazon.com, and even purchased by some (thanks!)

Now here’s my little year-retrospective. Cue the “I’m an arteeest” cap!

Production wise, I’ve been told by others that this record “is the clearest they’ve heard from me yet”. I’ve gotten a little less bookwormy, less technical and broke some of my traditional production rules and went more with my heart guiding my ears during the recording/engineering process. I’ve tried to capture the purest sound with the tools and limited space I have. Yea there’s some distortion, some clipping… fuck it. Call it ignorance or sloppiness, I didn’t get any complaints. It beats an over-compressed or over-produced sound in my book. 

Musically, the feedback I’ve gotten is that “my sound has matured” and that I’ve “developed a new sound” for myself.  I’ve been trying to play some lead guitar for the first time, more bass grooves that don’t just mimic the guitar progression and also trying more challenging drum patterns/fills. Now my songs end up having their individuality while maintaining a signature sound.

Content wise, the general feedback was “the lyrics still go pretty deep” and a “story is definitely apparent”. Everything has pretty much changed since it’s inception, with the album originally titled “geekology.” What was supposed to be a meek outlook on life during one’s mid-twenties, has (in a sense) grown a set of balls and told a similar story in a “monster out of control” kind of fashion. 

Looking back to last year’s album face:the.music, maybe the switching between rock and hip-hop was more of a weakness than strength. So, the choice to make King Friday completely a rock record (save for the Rush house remix) was inevitable. Rapping just isn’t me anymore and it’s not the way I wanna tell this story. Rather than being a jack-of-all-trades musician across genres, maybe it’s time to be a king in one.

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